Over the last few weeks I have wasted so much time trying to master Luminosity Masking. Sometimes I thought I had got it and then I would have a total failure, or several of them. Now you might be asking “what is Luminosity Masking?”
Luminosity masks are the cornerstone of tone-based image adjustments. These masks provide a convenient way to select specific tones in an image which can then be altered as the user sees fit. They have the ability to overcome shortcomings in the tonal values that were captured by the camera or film and to correct tones that shifted during image manipulation. Beyond simplifying these standard adjustments, however, luminosity masks also encourage a very individual approach to interpreting light. Luminosity masks make the captured light incredibly flexible and thereby provide the artist photographer unique opportunities to use Photoshop to explore their personal vision through photography. – Tony Kuyper
I have watched numerous tutorials, experimented on multitudes of photographs, spent hours at the PC, sometimes late into the night, trying to master this technique. All for very mixed results. Why? Because I want to display my photographs in the best possible way……and the experts will all tell you that “Luminosity Masking is much better than HDR. Oh! By the way I’ve got a course I can sell you to help you master the technique”. Look at this photograph. It’s not a great sunset, by any means but the photograph will serve to show what I mean.
After messing around with Luminosity Masks for about 15 minutes I managed to get the image above. Look closely at it. It looks flat, lacks contrast, everything seems muddy, excuse the pun. I had to go an extra step to bring some contrast back into the scene by using ON1 Perfect Effects Dynamic Contrast filter.
HDR stands for High Dynamic Range. For those who aren’t so acquainted with this high-tech shutterbug lingo, dynamic range is basically just the difference between the lightest light and darkest dark you can capture in a photo. Once your subject exceeds the camera’s dynamic range, the highlights tend to wash out to white, or the darks simply become big black blobs. It’s notoriously difficult to snap a photo that captures both ends of this spectrum, but with modern shooting techniques and advanced post-processing software, photographers have devised ways to make it happen. This is basically what HDR is: a specific style of photo with an unusually high dynamic range that couldn’t otherwise be achieved in a single photograph
Read more: http://www.digitaltrends.com/how-to/what-is-hdr-beginners-guide-to-high-dynamic-range-photography/#ixzz43eS4zF3E
However, HDR gets a bad press due to the surreal images that are often seen on the internet. Have a look at the image below this is the type of photograph that gets HDR a bad press.
The thing is HDR is a technique but it’s also a “look” which can produce results from the realistic through to the surreal. I don’t like this surreal type of HDR but I would never criticise anyone if they produced something like this. After all I have always said “My Photograph, My Vision”.
For me HDR can be used to create a natural looking photograph where the highlights and shadows are balanced to produce a photograph more like I saw at the time of pressing the shutter on my camera.
So that’s it for me. No more Luminosity Masks. It’s back to HDR, takes me approximately five minutes to get the result I want using Lightroom’s HDR module, leaving me more time to get out and take photographs.