Normally at this time of the year I visit Saint Asaph Cathedral in North Wales to photograph the Christmas Tree. It’s a very large tree positioned just before the entrance to the Choir and twinkles with lots of Christmas lights. This year is no exception but there’s no tree. Just a small one in the corner of the cathedral, almost tucked away out of sight. To say I’m disappointed is an understatement. So I’ve decided to use one from a previous Christmas visit to the Cathedral which I’m sure will fit the challenge this week.
Whilst I was in the cathedral I took the opportunity to try out some ideas incorporating the lights in the Choir Stalls and whilst I was doing so spotted something I wasn’t expecting to see. In fact I’m amazed I haven’t spotted it before because I have stood in the same spot loads of times taking photographs. What am I talking about?
There’s graffiti carved into the wood. Mainly initials, probably of choir boys. I say boys because traditionally in the past Church and Cathedral Choirs were made up of boys and adult males.
The use of choirboys in Christian liturgical music can be traced back to pre-Christian times. Saint Paul’s dictum that “women should be silent in churches” (mulieres in ecclesiis taceant) resonated with this largely patriarchal tradition; the development of vocal polyphony from the Middle Ages through the Renaissance and Baroque thus took place largely, though not exclusively, in the context of the all-male choir, in which all voice parts were sung by men and boys. – Source Wikipedia
That set me wondering. How long ago were the carvings done? It’s not recent, because nowadays there are cameras installed in the Cathedral for security purposes, so it is likely that no one would chance carving the wood now. But there again the carvings are not ancient as the writing looks modern. In the end we are left with a mystery – a sort of “Whodunnit” but without an ending.
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