I was looking through my back catalogue today and realised that I have only one or two sunrise photographs but loads of sunsets. That got me to thinking, why? The answer is simple. I don’t do mornings. Or to be more precise I don’t do photography in the mornings. With a sunset it’s predictable. You can see if you are going to get a good one by looking at the sky, seeing the cloud formations and in my case looking at the horizon to see if the sun will be blocked by mist or low-lying cloud out to sea.
You only get one sunrise and one sunset a day, and you only get so many days on the planet. A good photographer does the math and doesn’t waste either. – Galen Rowell
So why don’t I go for the sunrises. Mainly because it’s unpredictable. You don’t know what you are going to get until the sun actually starts to rise. I’d hate to get up at dark o’clock only to find that I can’t see the stars because the sky is totally overcast. If it’s like that I’m not going to see any sunrise that’s for sure.
But just occasionally I have been up early with the camera and managed to capture something….
A good few years back I was staying in the Yanchep National Park, near Two Rocks, Western Australia. Although not quite sunrise it was early in the morning, you can tell by the long shadows of the trees. Beautifully calm and no one about. That’s how I like it for photography. Don’t you?
Anyway my second photograph was also taken in the National Park. I just like the line of boats all tied up waiting for someone to use them.
Right, now that the building work is finished and I’ve completed the decoration of the new kitchen and dining room I might be able to spend more time on the blog. I missed last weeks challenge, there was just too much on but thankfully we are almost back to normal. Well not quite. I’ve still both sets of decking to clean and then renew the protective coat. New wooden garden furniture also has to be treated before we can start using it but I’m getting there….
Regular readers will know my thoughts on the so-called Rool of Thurds. But the 52 challenge this week calls for Rool of Thurds so I suppose I must comply.
Normally I would position a bird flying like this in the way you see it now. I’d move it down a bit and wouldn’t have as much space to the left hand side for it to fly into. But the Rool of Thurds is a rool I’ve got to stick to this week so that’s how I’ve cropped the photograph. Would you do different and still conform to the Rool of Thurds? Just for info there was open water all around the gull.
The next photograph is slightly better. Taken on the Albert dock in Liverpool from inside a Tapas Bar it’s the ideal way to practice a bit of street photography.
In general it conforms to the rool, especially as far as the silhouette is concerned. The tea and coffee should maybe have been higher or lower but you can’t win them all. Although once again I’m open to suggestions.
I have been a bit remiss in not including the 52 in 2015 posts to Say It With A Camera. Week 14 required a House of Worship an easy choice for me this week as we have more than our fair share of historic churches in North Wales. But let’s not make it too easy so I decided it was time to pay a visit to Llangelynnin church considered to be the remotest church in Wales. I’ve shown photographs from there before but I like the drive up the narrow lanes and at 900 feet you get a marvellous view over the Conwy Valley from a hill just to the side of the church.
As you can see the weather wasn’t that great. On the drive up to the church it was raining quite heavily with low-lying cloud but by the time I parked and started the walk to the church it had almost stopped raining. Llangelynnin is remote and I like it for that. You can hear the sheep on the hills, the wind moving the grass, even the rain falling. Best of all you don’t often see people, maybe the occasional walker and to me that’s perfect.
Standing up here on the hill away from all humans seeing these Wonders taking place before one’s eyes so silently it is queer to feel that beyond the hills there are Humans astir & just the reverse of what one feels in watching the silence of Nature. No school no church is as good a teacher as the eye understandingly seeing what’s before it. I believe this more firmly than ever. – Alfred Stieglitz
The church is dedicated to Saint Celynin, who lived in the 6th century and probably established the first religious settlement at Llangelynnin.
I love the simplicity of the church, no ornate stained glass, or a fancy altar. Just a stone floor, some wooden benches, plain glass windows and a few flowers, it’s one of my favourites of all the historic churches in the Conwy Valley.
Short one this week. There still doesn’t seem enough time in the day to fit everything in.
When I first started trying to photograph people in the streets I used to end up with a lot of photographs I could throw away. Why? Because I didn’t want confrontation and so I’d keep the camera at chest height, suspended round my neck by the strap and just press the shutter button as I walked along the street. Not ideal as I found out when I got home.
Sometimes they would be blurred, sometimes I would get them in focus but I hadn’t captured the full scene. i.e. I’d chopped someone at the neck.
A shutter working at a speed of one-fourth to one-twenty-fifth of a second will answer all purposes. A little blur in a moving subject will often aid to giving the impression of action and motion. – Alfred Stieglitz
Of course I never really throw anything away so I can still pull them up from my back catalogue, ideal for when we get weird subjects like this for the weekly challenge. Not only that I live in hope that one day Adobe will develop a plugin for Photoshop that takes care of blur and really works.
Do you keep every photograph you take, even the blurred ones?. I’d love to hear from you.
Light beams shining through a window or breaking through clouds. What could be more ephemeral and as photographers sometimes we have just a second or two to capture the moment. That’s usually the time I have my camera switched off or I’m driving along a road where it’s not safe to stop.
For the camera, the creative moment is brief–a compelling, ephemeral collision of event and artist. Extreme awareness combined with unobtrusiveness becomes the contest the photographer must work within. – Ken Ruth
In effect you have to be in the right place at the right time to get that sometimes illusive shot. Or you could just cheat.
There are plenty of plugins or tutorials for Photoshop allowing you to add light beams in post processing. Is it ethical? I’ve argued this point before and we had a good discussion at the end of my previous blog post. In many ways I haven’t changed my mind since then but sometimes I like to play around in Photoshop adding elements to my original photograph. That’s how I learnt to use the software in the first place. Of course you may disagree with me and I’d like to hear your views.
Oh! And this photograph. Where the light beams captured by the camera or added in post processing?