This is a really quick post but I just wanted to share with you the beautiful sunset we were lucky to watch tonight. At first I didn’t think it was going to be all that good. Yes, there were some nice cloud formations but the sun had already dropped behind Snowdon and the sky just wasn’t colouring up at all. Don’t get me wrong. I quite like this photograph but it could do with a bit more colour in the sky.
But long experience of sunset photography has taught me to wait around a while, sometimes Mother Nature saves her best for when the tourists have gone, and tonight was no exception. The photograph above was taken at 16:54, but look what happens to the sky 20 minutes later at 17:15.
Mother nature at her best and one of the best sunsets I’ve seen in a long time.. The moral of the story, hang around after the sunset, sometimes you will see something so much better.
This weeks photography challenge is Angular and straight away I knew I was going to include this photograph in my post.
I took this photograph on Saturday evening, only yesterday, on the beach at Talacre. Regular readers will know that the lighthouse features in many of my photographs and I’ll tell you why. The lighthouse is the only constant and even that changes over time as the paint is worn away by wind and waves. Talacre beach is open and exposed and often subject to wild seas. This photograph was taken at low tide and at the moment you can see the lighthouse base. But when the tide comes in the sea rises as high as the painted black area and in stormy conditions higher. Those sand dunes you can see in the background used to be a lot higher but storms at the beginning of this year totally washed them away.
Photographs testify to the relentless effacements of time. I say “inevitably” because the photographer has little to say about it. No matter what the conceptual intent of the photographer – whether it be “serious” image-making or family snapshots – the camera renders, first and foremost, and with indisputable sufficiency, the details and lineaments of its subject: a smooth, fresh, laughing face, the sleek angularity of a new building, a dotted veil worn by a woman coming out of church. Years later – when the young face is wrinkled and the modern building looks corny and nobody wears veils anymore – these photographs tell a story. And who could have guessed what that story would be? The melancholy of Time inheres in photographs, in the resemblance that no longer resembles. – John Rosenthal – Ideas, from The National Humanities Center
And so that brings me nicely back to Angular. I said at the start of this post I was going to include this photograph because it has so many angles. Yes! The lighthouse does lean, that big dark cloud with the obtuse angle and the way the water creates angles as it courses down the beach towards the sea. I did however keep the horizon straight. Can you see the man on the beach? He was using one of those portable metal detectors and finding quite a lot of things, mainly old coins and some shrapnel left over from WWII.
“Talacre was used by the military during World War II, as an aircraft firing range. Fighters flew over the remote village every day, shooting at wooden targets in the dunes and at drogues towed by aircraft. It was also used for testing new devices, such as “window” the anti-radar foil that, on occasion, covered the whole village with silver”. Source Wikipedia
That wraps it up for this week. I hope you enjoyed the photograph and as usual please feel free to use it if you want as long as it’s not for commercial use. Clicking on the photograph will take you to my Flickr stream where you can download any of the 1200 pixels wide photographs.
I’ve had lots of achievements in my life. Leaving home at 17 to follow my chosen career path and being successful at it, meeting my wife, we’re still together after nearly 40 years, my sons and other things through the years that I could think of as achievements. But this is a blog about my photography so I suppose I should include some achievements from that box of magic tricks that I hold in my hand, now and again.
Over the years I have experimented with different styles of photography, but in the end I always come back to HDR. Some people hate it, some absolutely love it but for me it has opened up a world of light and shade that I couldn’t achieve SOOC. It’s taken me years but nowadays I’m happy with “my style and look” and to me that is an achievement in itself.
Now I never show you a photograph that’s come straight from the HDR software, there’s always a certain amount of post processing to do, usually a slight amount of colour adjustment and sharpening.
there is still far too much of the sort of work that can be seen for nothing in the shop-window, not to mention one or two examples of “retouching” which can only be compared to the pipes and moustaches with which portraits of the sovereigns of England get decorated in school histories…. Retouching claims to be an art within an art; and doubtless it is so in much the same way that conjuring as applied to table-turning is an art within an art. All the more reason for it to be artistically done. It ought, however, to be excluded from a photographic exhibition, on the simple grounds that it is not photography… – George Bernard Shaw – commenting in a newspaper (17 October 1888)
I wonder what George would say today? Come to think of it. What’s your view on retouching? Are you straight out of the camera (SOOC)? Or maybe you’re a Photoshop or Lightroom Wizard. I’d love to get your views.
Oh my! Oh my! Another one of those WordPress Photo Challenge themes that is so open to interpretation. I mean what makes a photograph fall into the minimalist genre? Look on the web and you will see hundreds of definitions for minimalism, many of them similar, but some at the opposite ends of the spectrum/ Who’s to say which one is right. As a primarily landscape photographer can I practice Minimalism in my art? Up until now I’ve never thought about it but I would almost go as far as saying no. Landscapes are too rich in detail to be minimalist, or are they?
Way back in 2007 I took this photograph on our local beach. It was at a time when I was really starting to experiment with my photography. I’d moved from a little Point and Shoot camera to a more expensive bridge camera which mimicked a DSLR except for the ability to change lenses. I took this photograph because I liked the leading line of the posts and the reflections on the wet sand after the tide had gone out. Did I think about it being Minimalist? No. Is it Minimalist? You tell me. “Say It With A Camera” has 2314 followers and I would hazard a guess that if everyone replied to my question “Is it Minimalist” I would probably get a 50/50 split.
Over the years I have played with various plugins for Photoshop and Lightroom but I always return to the offerings from Topaz Labs. In fact I would go so far as saying 99% of the photographs I have taken this year and featured on Flickr, Facebook, Google+ or either of my blogs has had some input from at least one of the Topaz Plugins. Clarity is my goto plugin mainly because it adds that extra bit of punch and depth to a photograph.
This is an old photograph. I took it in June 2013 long before the winter storms of 2013/2014 destroyed the sand dunes at Talacre. If you were to visit Talacre today you would not see these stones, they are buried under all the sand that formed the dunes, which now forms a massive sand bar on the beach. Maybe some day we will see them again but not in the near future as conservationists reckon it will take 15 to 20 years for the dunes to reform, and that can only happen with the action of the wind and tides. Yet Talacre is one of those places I like to photograph, especially in the winter, as we now get pools of water forming on the beach when the tide goes out. Due to the action of the tides it’s an ever-changing landscape with one constant, the lighthouse. Each day can present a similar theme but a different photograph and those pools of water are fantastic for getting a photograph with the reflection of the lighthouse and clouds. What about you? Do you have a favourite place you visit again and again?
Anyway back to the photograph. The original sunset was dull and flat. Talacre Lighthouse does lean to one side, quite markedly but a wide angle lens accentuates the lean even more causing perspective distortion..
My first step was to correct the distortion using the Lens Correction Filter in Photoshop (Filter, Lens Correction, Custom, Vertical Perspective). Fortunately I didn’t need to straighten the Horizon, but that can also be done with the Lens Correction Filter. Now to get some punch into the photograph and the best way to do that is to add some contrast. For me the best tool is Topaz Clarity. Sure you can add contrast in Photoshop but I find that it tends to blow out the highlights or deepen the shadows too much. Clarity gives me better control of how I add that contrast whilst still keeping the photograph looking natural.
Now this is where I know some of you will say he’s gone over the top and you may be right, but hey “it’s my photograph, my vision”. When I took the original photograph the sun was setting. I remember the sky being more orange than what the photograph at the top shows and I want to get it looking like that sunset I remember. The Purists will gasp in horror but I’m about to invoke another good plugin from Topaz Labs called ReStyle. It’s hard to describe exactly what ReStyle does but with about 1000 effects in it’s arsenal it’s the plugin I use when I want to fine tune the colour in an image. You could almost say it’s like Instagram on steroids but with far more control.
So there you have it. I’d love to hear your thoughts on this. Do you use Topaz Products? Have I gone too far?
Disclaimer: Although I am endorsing products from Topaz Labs I do not get paid for doing so. I am however a beta tester for new Topaz plugins which has allowed me to receive a free license for several of these plugins.
How many times have I said “no photograph is worth taking chances for”? Yet today I broke my golden rule and paid the price for it. This weeks challenge is to show our interpretation of descent and I can do that in more ways than one.
The Llanberis Pass descends from Pen-y-Pass to Llanberis and flowing down through the pass for about 6km is the Afon Nant Peris which has it’s source at Pen-y-Pass (359m) and finally ends at Llyn Peris (105m). And this is where I broke my golden rule. Stupidly I decided to step onto some rocks to get a better view down the river before taking another photograph. I slipped, straight down, flat on my face, my camera came up to hit my sunglasses, forcing them into my eye area. Fortunately my camera seems fine, but I have a bruise the size of an egg and the best shade of eye-shadow a man could ever want.
Not pretty at all. I’m sore all over and all because I was stupid enough to break my own golden rule. So there you have it……descent in more ways than one.
Depends where you live in the world you might have a different name for tonight’s fun and games. Round our way we don’t have any of the “little darlings” banging on our door and squealing “Trick or Treat”. I think the trick I played on them a couple of years back has scared them all off. Anyway to celebrate I thought I’d show you some pieces I have created over the years for posts about Halloween or ghouls and ghosties.
First up is this piece I created with a mixture of Photoshop Brushes and a photograph of the moon.
I really would like to credit the creators of the brushes but this piece from my archive is so old that I have long since forgotten where they came from.
The next piece I would like to show you is my old friend the red monk. I have used him in several digital art works and my thanks goes to Marcus J Ranum for allowing the use of his extensive stock collection of models. His works are available from Deviantart but you do need to be logged in to view them.
It is a bit dark this one but that’s how I wanted it, with just the highlights on the monks face and belt.
It’s time to play a game of chess and I hope you will join my next friend. But don’t lose…it could be the death of you. Once again I am indebted to Mr Ranum for the use of the model. The room is a stock photograph from Fotolia and is one of a series of twenty-five that I was allowed to download for free when I bought a version of Corel PhotoPaint a long time back. I specifically chose rooms as they are always good for use in Digital Art.
Another brush artwork coming up. Once again from a long time ago but I do remember that the background was made from a set of Galaxy Brushes by the very talented Sunira. As to the rest I am not sure but if you happen to view this and recognise your brush sets let me know and I will credit you.
One more to go. The background of the trees is from one of my photographs. Lightning and birds are brushes. The young lady is from the stock collection of Persephonestock on Deviantart and I think she is called Miranda
That’s it from me. I hope you enjoyed this series of digital artwork. Please feel free to use them in any way you like as long as it’s not for commercial purposes.
This weeks challenge photograph or should I say Digital Art is a composite made from several photographs, textures and text layers. Winter is a coming in and during the winter months I usually end up creating several pieces of art work sometimes from my own photographs and textures or from freely available stock. As usual when I do this I will cite at the end of the article where I sourced the stock from.
The challenge this week was to create cover art and I decided to go with a book cover, probably science-fiction, but it could probably fit into other genres as well.
You can see the separate elements here, the monk, the clock, the arch and stairs. Add some textures and a bit of text, then blend it all together in Photoshop to produce the final result. My thanks to Marcus J Ranum for the use of the Red Monk which I have used before in other artwork. The Archway and Stairs was a piece of stock that I got free a long time ago from Fotolia. The Clock Face is from a series of textures provided by So-ghislaine on DeviantArt. Other textures used came from the excellent addition to Adobe Photoshop CC 2014 called Adobe Texture Pro. Other than those I’ve already mentioned everything else in this piece of work is the product of my imagination and Photoshop.
I’ve been experimenting with long exposures this week by sticking a 10 StopND Filter on the front of my lens. These filters are almost black and cut down the amount of light reaching the sensor which means you have to keep the shutter open longer to capture the same amount of light. For example, yesterday was a sunny day with clouds, without the filter my camera was saying that the exposure should be 1/500 second. With the filter in place the exposure time was two seconds. That’s enough to give blurry movement of the clouds. With me so far?
But maybe not enough to give me a “dreamy” look. I wanted a longer exposure and one way of getting that is to use HDR. The other way is to by using a smaller aperture in conjunction with the ND Filter to let even less light hit the sensor. In this case you would have to keep the shutter open longer to get the same amount of light. Do you understand the relationship between “f number” and the size of the aperture in your camera and how it affects the final picture. I have a simple rule of thumb that I use. Nothing scientific. The higher the aperture number i.e. f22 the smaller the opening will be in my lens, therefore the longer I will have to keep the shutter open. Of course I don’t have to calculate it, the camera does it for me, most of the time. Want to understand more? There’s an excellent article with simple diagrams about Aperture and Shutter Speed on Face The Light that you can read. Of course using longer exposures means that you need to use a tripod to keep your photograph in focus. Well the non-moving parts at least.
ND filters come in two types, circular ones that you screw to the front of your lens, or square ones that you place in a filter holder that screws onto the front of your lens. They also come in various price ranges from cheap and cheerful through to extremely expensive, but one thing they nearly all do is leave a colour cast to the final result. Usually it’s red or orange, but if you shoot in RAW that you can compensate by adjusting the “White Balance” temperature.
I use a cheap and cheerful one that I ordered from a company called SRB Photographic, mainly because I’m only experimenting. Also I had seen a review of the filter from a photographer called Brad Kalpin who had recently bought a 10 Stop ND Filter from SRB Photographic and he was quite positive about it’s use. For me reviews are a great way of helping me make a decision about future purchases. What about you? Do you use reviews?
While some people are afraid of snakes, others have phobias about high places – I’m scared of long exposures. – Ralph Bartholomew Jr.
Not me! Now that I have tried long exposure photography I want to do more. I can see the potential for taking photographs that look different and i can’t wait to get out and try that 10 Stop with moving water.